George Massenburg stands as a pioneering figure in audio engineering, known for his enduring contributions that have shaped the industry. He authored a pivotal technical paper on "parametric equalization," presented at the 42nd convention of the Audio Engineering Society in 1972. His insights have enriched professional journals and trade magazines around the world. From 1973 to 1974, he thrived as chief engineer at Studio Europa-Sonor in Paris, playing a vital role in the installation of an expanded Neve 80-series console at Barclay Records studio. His freelance work during this era showcased his passion for engineering and equipment design throughout Europe.

Massenburg's remarkable journey includes collaborative endeavors on over four hundred record albums, where he has worked with iconic artists like Earth, Wind & Fire, James Taylor, and Billy Joel. He has designed and managed numerous recording studios, including ITI Studios, Blue Seas Recording, and The Complex in Los Angeles, while also contributing to the acoustical and architectural design of landmark studios like Skywalker Sound. In 1982, he founded George Massenburg Labs, an innovative audio electronics company known for releasing groundbreaking devices that exemplify his original circuit designs.

With products like the Parametric Equalizer and the Dynamic Range Controller, he has redefined sound engineering. Massenburg's impact extends to academia as an Associate Professor of Sound Recording at the Schulich School of Music at McGill University and through his guest lectures at prestigious institutions. His achievements have garnered widespread recognition, including the Academy of Country Music award in 1988, multiple TEC Awards, a Grammy in 1996, and an honorary Doctorate of Music from Berklee College of Music. Inducted into the Technology Hall of Fame in 2005 for his invention of the ITI ME-230 Parametric Equalizer, and receiving the AES Gold Medal in 2008, Massenburg's legacy inspires future generations in the audio engineering field.

Seating is limited and slots are selling fast. Reserve your seat now!

Sylvia started in the San Francisco alt-punk scene in the eighties, fronting her own all-girl band, “Revolver.” They played at iconic North Beach nightclubs like the Mabuhay, On Broadway, the Stone, and the Chi-Chi Club. Their self-produced demos caused quite a stir in the underground music scene and led to other bands seeking Sylvia's expertise in the studio. This collaboration allowed her to work with notable Bay Area acts such as Tuxedomoon, Exodus, MDC, Verbal Abuse, Christian Death, the Beatnigs, Mojo Nixon, Skid Roper, Raw Power, Doggy Style, and the Adolescents.

In 1986, Sylvia co-produced an album for the Sea Hags alongside up-and-coming guitarist Kirk Hammett, who had recently joined Metallica. The success of this collaboration facilitated the Sea Hags’ signing with major label Chrysalis Records, prompting them to relocate to Los Angeles. Not wanting to miss out, Sylvia moved to Los Angeles and embarked on a serious music industry career.

Within two years, Sylvia ended up at Larrabee Sound, where she worked with a roster of artists including Prince, Paula Abdul, Big Daddy Kane, Julio Iglesias, Seal, and Aerosmith. Her big break came when she produced Green Jello's debut album, featuring the hit “Three Little Pigs.” This success opened the door for her to record the first two Tool albums for Zoo/BMG Records.

Later, Sylvia took on major projects through her association with Rick Rubin, producing System Of A Down’s debut album, Danzig’s “Lucifuge II,” the Geto Boys’ debut, Johnny Cash’s “Unchained” album, Donovan’s “Sutras,” as well as contributions to the Red Hot Chili Peppers, Smashing Pumpkins, and Tom Petty’s “She’s The One.”

Seating is limited and slots are selling fast. Reserve your seat now!